Sound Department | ||
| Ray Beckett | .... | sound mixer |
| Simon Bysshe | .... | boom operator |
| Richard C. Franklin | .... | sound effects editor (as Rick Franklin) |
| Alan Freedman | .... | adr mixer |
| Judah Getz | .... | adr mixer |
| Jamie Hardt | .... | sound effects editor |
| Kimberly Harris | .... | adr supervisor |
| Kimberly Harris | .... | dialogue editor |
| Chris M. Jacobson | .... | sound effects editor |
| Chris M. Jacobson | .... | sound effects pre-dub mixer |
| Ryan Juggler | .... | first assistant sound editor |
| Ryan Juggler | .... | sound editor |
| Michael Kaz | .... | assistant sound editor |
| Paul N.J. Ottosson | .... | re-recording mixer |
| Paul N.J. Ottosson | .... | sound designer |
| Paul N.J. Ottosson | .... | supervising sound editor |
| John Sanacore | .... | foley editor |
| John Sanacore | .... | foley mixer |
| Craig Stauffer | .... | sound mixer |
| Jussi Tegelman | .... | dialogue pre-dub |
| Robert Troy | .... | adr editor |
| Robert Troy | .... | dialogue editor |
| Alex Ullrich | .... | foley artist |
| Alex Ullrich | .... | foley editor |
| Bernard Weiser | .... | sound effects editor |
PO: Well I think I was the first one that got hired, this is way before they shot a frame and you start thinking about it already then. I re-read the script take notes etc. I think all and all I was on the movie with a crew for perhaps 4 months.
PO: All we tried to do was to always get it to sound real. Get the perspective right was important. Every cut was played and mixed of the perspective of the person we were with.
Dear User,
Thank you to contact us.
EC-0002C support Firewire400 with power supply.
The issue might be because the MBP voltage for left side USB and ExpressCard slot is not enough.
Not all of MBP have the issue.
Our user could test the left and right side USB ports. Usually the left side power is not enough.
Best regards,
APITOEK Service
 Suite is the complete package, the "X-Large" version. Suite gives you the tools and the sounds, with a packed sound library and 10 Ableton instruments. |  |  Live is the "Large" version. It provides a comprehensive environment for writing, producing and performing music plus a basic sound set. | |  Live LE provides a focused feature set—it's the "Medium" version of Live. Just the essential tools and basic sound content for making music. |
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To strengthen our team, we are looking for a Team Manager for our Supply Chain Management Team. The team's tasks include ensuring the availability of our products and merchandise to our external logistics partners, as well as (re)ordering individual components for our products or merchandise items with our suppliers. The team works closely with the Marketing and Sales Team on these assignments.
Ableton is looking for a trainee in online sales and marketing. This full-time position is based in our main office in Berlin's Mitte district, Germany.
With a small and dedicated team, you will develop state of the art music software in C++. Your work will help thousands of artists worldwide to create and perform their music. Ableton can offer challenging development tasks in a wide range of domains, from general application development to performance-critical real-time programming.
As part of an excellent and agile team, you will develop complex, modern Python applications that connect our native cross-platform application with the Internet, and support countless internal and external communications and business processes.
Help realize the future of online musical collaboration. Ableton, a key innovator in the area of professional music software, serves hundreds of thousands of artists worldwide with state-of-the-art creative applications, and we have also set ourselves the goal of breaking records in the area of online applications.
Ableton is looking for a User Interaction/Information Architect. The position is based in our main office in Berlin-Mitte, Germany. Your job is to work with a cross-functional team on developing information architecture and user interaction designs for Ableton's website and web-based applications.
Ableton is looking for an expert in interface/interaction design. This person will work on improving the usability and design of both our web site and our software: the Ableton Live family of products. This is an exciting opportunity to join the team that will define the future look and feel of Ableton Live and our upcoming web applications. This position is a freelance position.
In order to assure a continuing medium- and long-term high rate of growth, Ableton regularly infuses the company with talented new leaders. As trainee you will focus on supply chain management (purchasing, production, logistics) during the first two years of your time at Ableton, ....
未知境地的女神-瑪雅．貝瑟
